Yami no Matsuei – Love Me ~ Ending Song

Love Me

Ending Song

By The Honk Kong Knife


Arumikan no marui yen o mashikaku ni orinagara
kimi o matsu machi kado sa
nakami no ekitai wa mou nurukute nomenai kedo
shikatanaku motsu ore sa…

Mukashi kiita kanashiki machi no MERODEI o omoidashite
hisashiburi ni narashitara hitotsu no NAZO ga toketa no sa

Hokouyou no shingou ga aoi ni kawari jinrui ga
ugoki hajimeta keredo
itsumo no you ni ore dake kono mama sa ni, san bo ugoku kedo

Yami no naka de ore o utsusu garasukeesu ni kazarareta
ningyou ga sakki kara kowai kao de ore o miteru

Kamikappu o sankaku ni otte nomihoshita koohii to
kimi o matsu machi kado de
jimen o ketobashite narihibiku kono oto ga
baraddo sa wakaru kai

Yoru no machi de hitorikiri demo owari wa mada saki dakara
kanashiku nanka wa nai no sa tada sukoshi tsukaretekitaze

Ore no fuku kuchibue wa wari to akarui uta de
zen sekai no hitotachi ni sasagerareta noizu
dare hitori shiru hazu no nai kono merodei ga
omae ni wa kikoeru ka? sayonara da
Love Me


Bending the circle of the aluminum can square
I’m waiting for you at the street corner
Although the liquid inside is too warm to drink
I’m obliged to hold it

Remembering the melody of sorrowful city
I found a piece of puzzles

When the signal turned blue and people start to move
I take only a few steps and stand still as usual

A puppet in the glass case
which reflects me in the darkness
keeps staring (at) me with his angry face

A paper cup (of) coffee that I drank up
and the sound of people kicking the ground
make a ballad song
You know what I mean?

I’m alone in the night
but I don’t feel sad
‘cos the ending’s still far away
I’m just a little tired

The whistle I give is the bright noise
that dedicated to the people around the world
Can you hear this melody that no one knows?
It’s over
Love me

By Raven

Yami no Matsuei – Eden ~ Opening Song

Eden ~ Opening Song

Performed by “To Destination”


Nureta hitomi no oku aoi tsuki wa shizuka ni kobore ochite yuku

Azayaka na sekai wa oto mo naku shizuka ni yami ni kiete yuku

Byou yomi no naka kake meguru yami no naka o
soshite arata naru toki o mukae ima …

Kizutsuita kuroi tsubasa tsuki no akari ni
terasarete utsukushiku maiagare

Shinkou no kuchidzuke ga ima kokoro no oku ni
nagare komu soshite yume no naka e …

Chinmoku no sora kiete yuku senritsu no
merodii ni ima inori o komete

Tozasareta yume no tsuzuki sagashi mo tomete
itsumademo aruki tsuzukeru

Kizutsuita kuroi tsubasa tsuki no akari ni
terasarete utsukushiku maiagare

Shinkou no kuchi zukega ima kokoro no oku ni
nagare komu soshite yume no naka e …


Deep inside eyes overflowing with tears, the blue moon falls to pieces…

Without a sound, the brilliant world vanishes in darkness

Running around in the dark during the countdown
A new time will arrive, now

Injured black wings glimmer beautifully
As they soar in the light of the moon

Now, the crimson kiss has found its way into my heart,
And will soon flow into my dream…

The silent sky disappears into the wavering melody
Now, put everything into prayers

I’ll keep on walking forever,
Looking for the rest of my closed dream…

Injured black wings glimmer beautifully
As they soar in the light of the moon

Now, the crimson kiss has found its way into my heart,
And will soon flow into my dream…

By Raven

Yami no Matsuei (Descendants of Darkness)

Yami no Matsuei (or Descendants of Darkness)

Yami no Matsuei is a shojo manga by Matsushita Yoko (also referred to as Matsushita-sensei) and serialised in the bimonthly mangazine Hana to Yume. (Bimonthly as in twice a month and not every other month.)

The first story debuted in 1995, running in issues 7-12. This story introduced the main character Tzusuki Asato. The manga has run on and off through the last three years but has currently accumulated 11 tankobon (collections of the stories printed in the mangazine). The present story arc seems to be dealing with Hisoka’s family, Hisoka getting a (some?) Shikigami, and Tsuzuki’s relations with his 12 Shikigami.

In Fall 2001, a thirteen episode tv animation for the series was created.

After death, the souls of the deceased must be judged in order to be sent to their place for reward or punishment. The land of the dead is called Meifu and the bureau who handles this system is called Juoucho. The Juoucho has ten bureaus, one of which is the Emmachou, who are in charge of bringing the souls to trial for their deeds. This office is also in charge of investigating mysterious cases of certain souls who have not died. These are called Shinigami and always work in pairs.

This is the story of Tsuzuki Asato, a Shinigami, who has the power to summon Shikigami (mythical beasts). On one assignment, the mystery of the dead leads him to Muraki, a charismatic man with astonishing powers. His new partner, Hisoka, is bound by fear and distrust of Muraki because this is the same person that led to his untimely death. But as Muraki gets drawn to Tsuzuki, a bigger mystery is beginning to unravel that will change the world of the dead forever.

The anime starts off with beautiful and breathtaking opening credits so much so that it leaves me in awe with each new episode. ‘To Destination’ sings ‘Eden’, its opening song, which clearly defines the dark and seductive tone of the entire series. And along with exquisitely rendered animation where they show a lineup of bishounen one by one, how can anyone resist Yami no Matsuei?

The introduction regarding the world of the dead is a very interesting concept. This concept is based heavily on Japanese Buddhist themes, hence the many foreign terms that cannot be easily translated to English. It will be helpful if one would know about these terms since they are inevitably used all over the series. Don’t worry about not understanding the series since Yami no Matsuei takes a more modern approach to this concept by making the courts of the Dead into the very semblance of the Japanese political offices.

The episodes are all about the Emmachou’s investigation of certain mysterious cases of untimely deaths led by the laidback slacker Tsuzuki, who actually exhibits a lot of powerful potential. Tsuzuki himself is a funny bishounen who is a perfect central figure to break this dark and often bloody setting. His partner, Hisoka, is his serious counterpart who has the ability to look into a person’s inner mind. There are actually a lot of bishounen introduced in the series but do not play major parts save for the anti-hero Muraki, who is also bishounen. That however, seems to guarantee nothing else but yaoi themes. From Hisoka’s partnership with Tsuzuki to Muraki’s attraction to our main character, the cycle seems endless. The yaoi themes are not that explicit though and even Tsuzuki is shown to resists Muraki’s advances so those who are not into yaoi need not worry.

Because the Shinigami is asked to investigate mysterious death cases, the scenes are often bloody. But the appeal goes on since the realm of the dead always involves something magical and that the battle scenes have fantasy players like Shikigami. Watching Tsuzuki (oh so delicious in his trenchcoat) summon his Shikigami called Suzaku (the Phoenix) is definitely amazing, even majestic!

But for a series with too much eyecandy and altogether promising dark concept and intense storylines, yaoi themes and fight scenes, why does it stop at 13 episodes? The episodes actually focus more on the investigation of just three mysterious deaths and only vaguely introduces the grand scheme of our anti-hero, Muraki. You are aware that there is a grand design behind all these little monster-of-the-day situations that our heroes are involved in but in the end, you haven’t the faintest idea what Muraki is up to. For me, leaving a viewer with a hanging ending is too much of a crime like what Angel Sanctuary did — leaving viewers on our own to just follow-up the rest of the story in the manga. Why does it all end abruptly?

But maybe that’s what it’s all about. Because the very theme of Yami no Matsuei enthralls you into a world of bishounen so dark and seductive, it could be argued that the hanging ending attunes to the ‘mystery.’ Either that, or future plans for an OVA…

By Raven

Work in progress... not home!
Trying to get all/most of the new code working before I start on the eyecandy.